A Fair Review The Movie Hit Exiled
Exiled is really its own thing in the world of action movies. If you’ve grown bored with the recent Hollywood trend of shaky cameras, incoherent action scenes and split second editing, Exiled is a breath of fresh air. If you want to see action that’s clear, coherent, and carries a sort of odd, dreamlike quality, put Exiled on your movie downloads queue.
We follow a gangster who betrayed his boss years ago, and his since gotten married and had a baby. The boss sends a couple of hitmen to take him out, while at the same time, two other former members of the gang show up to protect him. This is where the movie begins.
There’s a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal “Just Business” approach to violence, here, none of the characters really want to shoot at each other, they’ve been friends since they were young, and they seem upset that it’s come to this.
The movie was directed by Johnnie To, the Hong Kong legend, who came out with his first films around the same time as John Woo and Ringo Lam were defining the Heroic Bloodshed genre of HK action flicks. Where those earlier films were defined by the anger at the Chinese takeover of the city, this one has a sense of forgiveness, compassion and understanding, having been made after the takeover.
The dreamlike quality to the film is really something. Shootouts take place in slow motion, with action that takes only thirty seconds being expanded to several minutes. One incredible scene begins with a character throwing a Red Bull can into the air, and climaxes just as the empty can hits the floor, with bullets flying and people dying over the course of an incredible slow motion bullet ballet.
The action is clear and coherent, the story isn’t always so clear. This actually helps the film’s dreamlike feel, so if you just watch it for the characters and for the action, the weird, twisty-turny story won’t infringe upon your enjoyment of the film and what it really does have to offer the viewer.
The genre of Heroic Bloodshed was defined by angry violence, often showing one man up against an army as a parallel to the independent people of Hong Kong and their anger against the Communist China. After Woo and Lam went to Hollywood, Johnnie To stayed behind and redefined the genre on his own terms, turning it into something a little less vitriolic.
Exiled is a rare action film, and certainly one to see if you want something a little different than the usual shaky-cam shootout flick. It’s really a refreshing breath of fresh air if you’re sick and tired of not being able to tell who’s shooting who and how the heck that guy got on the roof. Definitely a change of pace.
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